Thursday, September 29, 2016

New Voice: Christian McKay Heidicker on Cure for the Common Universe

By Cynthia Leitich Smith
for Cynsations

Christian McKay Heidicker is the first-time author of Cure for the Common Universe (Simon & Schuster, 2016). From the promotional copy:

Sixteen-year-old Jaxon is being committed to video game rehab...ten minutes after he met a girl. A living, breathing girl named Serena, who not only laughed at his jokes but actually kinda sorta seemed excited when she agreed to go out with him.

Jaxon's first date. Ever.

In rehab, he can't blast his way through galaxies to reach her. He can't slash through armies to kiss her sweet lips. Instead, he has just four days to earn one million points by learning real-life skills. And he'll do whatever it takes—lie, cheat, steal, even learn how to cross-stitch—in order to make it to his date.

If all else fails, Jaxon will have to bare his soul to the other teens in treatment, confront his mother's absence, and maybe admit that it's more than video games that stand in the way of a real connection.

Prepare to be cured.

How did you approach the research process for your story? What resources did you turn to? What roadblocks did you run into? How did you overcome them? What was your greatest coup, and how did it inform your manuscript?

John Cusick
This all began when I told my agent, John Cusick, that I’d write a YA book about a kid committed to video game rehab. His excitement was infectious, and I got that fluttery feeling of embarking on a new adventure. Of darkness unlit. Of stones unturned. Of all the little surprises that come with blindly slashing out with my pen and hoping for the bloody best.

That fluttery feeling vanished when I realized I hadn’t played video games for years, let alone had any clue what it was like to be addicted to them.

In order to survive as a freelance writer, my entire life had become carefully structured to eliminate time-wasters. I worked all possible hours, filled my downtime with reading, exercising, eating healthily, and not buying expensive things like the next generation of PlayStation or Xbox. I had become completely unversed in the world of video games and unhealthy amounts of playing.

I realized if I tried to write a book about video games, I’d out myself as a fraud. I’d make out-of-date gaming references, the community would eat me for breakfast, and I’d become next on Gamergate’s death list. (Now that I know a thing or two, I can confidently say that many gaming references do not go out of fashion, and that being on Gamergate’s threat list is actually a good thing.)

Let’s face it. As novelists we’re all impostors. We don’t really remember what it’s like to have that first kiss. We’ve never reached to the back of the wardrobe and in place of fur felt pine needles. Our goal is to seem the least impostery as possible. To convince the reader that this stuff is legit.

Christian's office & Lucifer Morningstar Birchaus (aka writer cat)
Still, the idea was good. Video game rehab? I’d never seen that before, and that’s a rare thing in any medium. So I needed a plan. My plan was this: get addicted to video games.*

So out with work!

Sod off, schedules!

Be gone, exercise routines!

Forget healthy eating and gluten intolerance. Forget that coffee turns me into an absolute monster and dairy turns my insides into the Bog of Eternal Stench!

I bought myself a month and turned my life into that of a sixteen-year-old video game addict on summer vacation. I drank coffee from noon (when I woke up) until three in the morning when I went to sleep. (My character drinks energy drinks, but one can only go so far, dear reader.) I slept too much. I didn’t exercise. Sometimes I put whiskey in my morning coffee. I only read gaming news, but only if I really felt like it and only if I had to wait for a game to download.

Mostly, I played video games. I played a lot of video games. I continued to play throughout the duration of writing the book, but in October 2012, I played so much it would have made the characters in my book quirk their eyebrows.

I was trying to get addicted. All of my dopamine release came from beating levels, leveling up characters, downloading DLCs. When I went to the bathroom, I brought my iPad with me and played Candy Crush. (Considering what my new and worsened diet was doing to my digestion, I played a lot of Candy Crush.)

I beat Dark Souls. I beat Sword & Sworcery. I played Starcraft and Hearthstone and Diablo III. I bought a Nintendo 3DS and played through all the Mario and Zelda games I’d missed out over all the years. (Definitely the highlight.) I got lost in world after world, and adulthood as I knew it became a faint haze around an ever-glowing screen.

And guess what? It was hard.

You’d think it would be easy doing as little as humanly possible, only filling one’s time with video games.

Video games are fun. Many are designed to keep you falling into them again and again, to captivate you enough to stick around for hours on end. But I had so carefully trained myself to not be that way so I could write.

During this indulgent month of October, I felt lazy. I felt sick. I felt jittery and uncomfortable in my skin and a little voice inside my head kept saying, “No, no, no. Stop doing nothing. You’re dying.”

I was disgusted with myself. I liked the games I was playing, but they didn’t bring the same satisfaction of selling a short story.

Like I said, it was really hard. But it was nothing compared to what I was going to embark on next.

I ended my month of terror with a bang. On Halloween night, at 11:56 p.m., I drank four shots of whiskey and became a vomiting sprinkler on my friends’ front lawn. (Apologies, Alan and Alan).

My girlfriend at the time drove me home and poured me into bed. I slept for thirteen hours. . . and when I awoke late afternoon on Nov. 1, I began something new. I didn’t put on the coffee pot. I didn’t boot up the PlayStation to see if any system updates needed downloading. I didn’t bring the iPad to the bathroom.

Instead, I entered Phase 2 of my research.

The character in my book was going to rehab, where all creature comforts would be taken away from him. And so I spent the entirety of November without sugar, caffeine, music, phone, books*, internet*, or of course, video games.

I called it my no-nothing November.

(Er, no stimulants, at least. But that isn’t quite as catchy.)

After surviving a two-day hangover unaided by stimulants of any sort, I crawled out of bed . . . and I went out into the world. I ran in the morning. I talked to people at coffee shops while sipping herbal tea. I took ukulele lessons. I learned how to cross-stitch. I cleaned Alan’s and Alan’s puke-covered lawn (just kidding I didn’t; I just realized this would have been a nice thing to have done (sorry again, Alans)). I studied life without my nose buried in a book.*

And mostly, I wrote. I wrote about a kid who had all of his comforts taken away and was forced to earn points through a sort of gamified therapy. I don’t know if any of this actually worked or not . . . I’m not sure if it really added anything to the book.

So, um, take that into consideration before flying off the rails for your own book.

*I use the term "addicted" lightly. Read Cure for the Common Universe for a full explanation.

**The most difficult, by far.

***I also didn’t surf the internet, save my email—for emergencies and so I wasn’t fired from my job.

****Ug, this is starting to sound like some sort of new age instruction manual, which I swear it is not; I just wanted to see what it would be like to be the character in my book.

As a contemporary fiction writer, how did you deal with the pervasiveness of rapidly changing technologies? Did you worry about dating your manuscript? Did you worry about it seeming inauthentic if you didn't address these factors? Why or why not?

@cmheidicker on Twitter
Video games are the fastest growing medium in the world, so it’s pretty difficult to remain relevant when writing about current games. Fortunately, there’s a persistent spine in gaming (your Blizzards, your Nintendos, your Easter eggs). I tried to focus on those mainstays and accept the fact that no matter what I did I would probably piss off and please an equal number of gamers.

If I had attempted to copy the language of gamers verbatim, I would have set myself up for failure. (Although having a game-addicted roommate during the edits of this book definitely helped me sprinkle in some legit jargon.) That’s why I like to follow the Joss Whedon rule of leading the charge on language instead of attempting to copy it.

For the dialogue, I ended up stealing a lot of hilarious lines from my friends—truly iconic things that I lifted straight out of real-life conversations and put into the text. During a rousing game of racquetball, a friend aced me, stuck his racquet in my face, and screamed, “Nobody puts princess in a castle!” A barista once mentioned how stepping on a LEGO was a lot more rage inducing than playing Grand Theft Auto. And a previous student told me about a—ahem—particular sensory combination involving Nutella. I blushed . . . and then I stole it.

I stole all of these with everyone’s permission, of course.

Wednesday, September 28, 2016

Guest Interview: Marcia Lynx Qualey on #WorldKidLit Month

#WorldKidLit Month image (c) Elina Braslina
By Avery Fischer Udagawa
for Cynthia Leitich Smith's Cynsations

September is #WorldKidLit Month, a time to notice if world literature is reaching kids in the form of translations.

(See this Book Riot list of 100 Great Translated Children’s Books from Around the World.)

Leading the effort are Cairo-based writer Marcia Lynx Qualey, translator Lawrence Schimel, and Alexandra Büchler of Literature Across Frontiers.

I was fascinated that Qualey, a journalist for The Guardian and other outlets, takes such interest in children’s literature. She answered my questions for Cynsations by email.

As a journalist, why have you made #WorldKidLit Month a special project?

Marcia Lynx Qualey
Many of the books I see promoted as “Middle Eastern literature” for children—indeed, almost all of them—are books written by Westerners and set in the region. Just so, we have floods of books by soldiers, aid workers, and journalists who spent some time in Iraq, for instance, and almost none by Iraqis.

Writing about other places is valuable, yes, but it’s another thing entirely to listen to the stories—the cadences, the art, the beauty—coming from another language.

I find it limiting and echoey to read the narrow band of “our own” Anglophone stories. We can offer our children much much more: more joy, and more ways of seeing.

What would you like the children’s literature community to gain from this annual event?

Just as with #WiTMonth (Women in Translation), I think it’s key to start with recognition—to recognize that we don’t translate much from around the world. We translate a bit from Western European languages, where publishers have connections, and that’s great. But the literature currently translated from the great Indian languages, from Chinese, from Turkish, from Farsi, from Eastern European languages, would fill a few small shelves. These literatures could give us so much!

I’m grateful for the bit translated from Japanese literature, which has been feeding our children’s imaginations in new ways. (And our grown-up imaginations, too.)

What was your own experience of literature as a child? Was your whole world represented in stories you read?

The world outside was a mysterious and scary place, difficult and sometimes painful to understand. But the worlds as presented in my books were so tangible, they really belonged to me, they could be read and re-read.

As for translations, I particularly loved folktales from around the world, and cherished not just Italo Calvino’s collection (which I read until it fell to bits), but Norwegian and Japanese and Arab and other folktales. The folktale is a wonderful global form where there has been much sharing from language to language, culture to culture.

Have you translated any literature for children?

Not in any serious or systematic way; just helping translate picture books for a friend. I would love to, but interest in Arabic kidlit has been vanishingly small.

What currently available Arabic>English kidlit translations would you recommend?

There are precious few, while children’s books translated into Arabic are many. (There are books from French and Japanese, for instance, that I know and love only in Arabic.)

You can get a translation of pioneer illustrator Mohieddine Ellabad’s The Illustrator’s Notebook, and The Servant by Fatima Sharafeddine (Faten, in the original, translated by Fatima herself), and Code Name: Butterfly by Ahlam Bsharat, translated by Nancy Roberts. I would love you to read Walid Taher’s award-winning Al-Noqta al-Sooda’, but alas there is no translation!

Cynsational Notes

Marcia Lynx Qualey blogs at Arabic Literature in English.

Avery Fischer Udagawa contributes to the SCBWI Japan Translation Group blog and is the SCBWI International Translator Coordinator.

Tuesday, September 27, 2016

Author Interview: Monique Gray Smith on My Heart Fills With Happiness & Advice for Beginning Writers

By Cynthia Leitich Smith
for Cynsations

Today I'm honored to feature Monique Gray Smith, "a mixed heritage woman of Cree, Lakota, and Scottish descent" and the author one of my favorite new titles--my official go-to gift book for 2016.

What put you on the path to writing for young readers?

I never set out to write for young readers and to be honest, I never saw myself as a writer.

When Tilly: A Story of Hope and Resilience first came out, it was marketed to adults, but then it won the Canadian Burt Award for First Nations, Métis and Inuit Literature.

This award sends 2500 copies of the winning book to schools and programs across the country, and all of a sudden, Tilly was in the hands of young people, in schools, classrooms and friendship centres and it became a YA book.

Congratulations on the release of one of my favorite new titles, My Heart Fills with Happiness, illustrated by Julie Flett (Orca, 2016)! What was your original inspiration for this title?

Thank you for your kind words about My Heart Fills. Working with Julie was a true privilege. We spoke on many occasions about the message and illustrations; it was a beautiful collaboration.

My Heart Fills with Happiness was inspired when I was facilitating a workshop on our history and resilience at an Aboriginal Head Start program.

At lunch, the children joined us and I witnessed a Kookum (Grandma) sitting in her chair and her grandson came running over to her. He stood in front of her and she took his face in his hands and his whole body changed. His shoulders went back, his chin came up and his eyes lit up.

What I saw was the way she looked at him with such love filled his heart with happiness. This got me thinking about what fills my heart and our hearts as human beings. A couple weeks later, I was visiting with five of my dear friends and as we were talking, the book came.

Literally, in one quick write, it was done. Only one line has been changed. My next children's book, called You Hold Me Up has also been inspired by Aboriginal Head Start. This is such a powerful program in our country and now has been running across our country for over 20 years and has 50,000 graduates. Culture and Language as well as Family Involvement are two of the six components of this program and as a result it is a significant aspect to the healing of Residential Schools in Canada.

What were the challenges between spark and publication, and what lessons were learned along the way?

This book was a gift from the Ancestors, I know that with every fibre of my being, Cynthia.

Her first book!
As I said above, there was only one line change and in the end there were three publishing companies that wanted to purchase it.

There were some miscommunications with the design between myself and Orca Publishing and as a result I think we have both learned the importance of ensuring connection throughout the project.

I know that this is a new way of relationships between author and publisher, but in these times of reconciliation, it is critical we work together instead of the publisher having all the power and decision making.

What did Julie Flett’s illustrations bring to your text? (Full disclosure: I'm a fan.)

Oh Julie! As I said above, it was a privilege to collaborate with Julie. When Orca informed me it was going to be Julie Flett illustrating My Heart Fills with Happiness I literally did a happy dance in my office. Not only do I admire Julie's contribution to literature; both as an author and illustrator, but I also have profound respect for her as a human being.

I think Julie's illustrations bring the words alive. The way she was able to capture the tender nuances on facial expressions and body postures is precious!

And the cover, I have had numerous girls say to me, "look, that's me on the cover." I think that says it all! When a child sees themselves on the pages it is incredibly affirming for them and in some ways, their right to be seen.

We all need to be seen and heard, but for generations literature has not only not seen us as Indigenous people, but especially not Indigenous women and girls.

Let me simply say, Julie's illustrations make this book what it is!

You also are the author of Tilly: A Story of Hope and Resilience (Sononis, 2013). Could you tell us a little about this book?

Tilly is loosely based on my life through Tilly's journey and the characters she meets they tell aspects of our history as Indigenous people in Canada. It weaves together some of our traditional teachings, culture and ways of being.

It also speaks to my personal journey of alcoholism and recovery and the beautiful relationship Tilly has with her alcohol & drug counsellor, Bea.

How have you grown as writer over time? 

Oh yes, I am still growing...and to be honest, hope to never stop growing. I am not a trained writer, so I need exceptional editing support.

One of the aspects where I feel I have grown the most is being willing to let the story flow through me.

I used to want to interrupt and pause the story, but now I close my eyes and type away or I share what I'm thinking into my phone. Especially dialogue between characters, that seems to come to me in the place between wakefulness and sleep.

What advice do you have for beginning writers?

Pay attention. Notice your surroundings, the mannerisms of individuals, the ways people speak, how the light looks on the land at different times.

I'd also say, put yourself out there: let others read your work, send it in to contests, send it to publishers. And remember, you will get on of three responses. Yes. Not yet. Or I have something even better in mind.

View of Gonzales Bay from Monique's office
How about Native American/First Nations authors?

Our people are craving to read our stories and stories that they can see themselves and their lived experiences in. Write them, share them. And if writing them isn't necessarily comfortable, talk them.

On most phones, there is the microphone app on email, if you record your story and then send it to yourself by email it will come as text and voila, you have your first draft.

I would also remind you of the importance of ceremony when writing. I find it helps ground me and opens me for the story to come through me. Offerings of gratitude help me every single day, not only when I am writing, but every day.

I would also say read as much as you can and raise up and talk about those you are reading.

Monday, September 26, 2016

New Voice & Giveaway: Maria Gianferrari on Penny & Jelly

By Cynthia Leitich Smith
for Cynsations

Maria Gianferrari writes both fiction and nonfiction picture books from her sunny, book-lined study in northern Virginia, with her dog Becca as her muse.

Maria’s debut picture book, Penny & Jelly: The School Show, illustrated by Thyra Heder (2015) led to Penny & Jelly: Slumber Under the Stars (2016)(both HMH Books). 

Maria has seven picture books forthcoming from Roaring Brook Press, Aladdin Books for Young Readers, GP Putnam’s Sons and Boyds Mills Press in the coming years.

Could you tell us about your writing community--your critique group or partner or other sources of emotional, craft and/or professional support?

In the spirit of my main character, Penny, an avid list maker, here are my top five answers:

1. Ammi-Joan Paquette:

I am so grateful for my amazing agent, Ammi-Joan Paquette!

Where do I begin? I owe my writing career to Joan, for taking a chance on and believing in me. She has been sage guide, a cheerleader and champion of my writing from the get go.

She’s made my writing dream come true!!

2. Crumpled Paper Critique (CP):

I would not be where I am today without my trusted writing friends and critique partners: Lisa Robinson, Lois Sepahban, Andrea Wang, Abigail Calkins Aguirre and Sheri Dillard. They have been such a wonderful source of support over the years, in good times, and in bad.

Yes—it’s kind of like a marriage—that’s how dedicated we are to each other’s work! They’re smart, thoughtful, insightful, well read, hard-working and the best critique partners one could hope for!

We have a private website where we share not only our manuscripts, but our opinions on books, ideas, writing inspiration and doubts. I treasure them and wish we lived closer to one another to be able to meet regularly in person. Hugs, CPers!



3. Emu’s Debuts:

Like many other writers, I’m quite a shy and introverted person. If you’ve seen that classic hamster ball cartoon about introverts, that’s me! Having a book debut is extremely intimidating.

I was so lucky to have joined the ranks of Emu’s Debuts, so named for clients and debut authors affiliated with Erin Murphy Literary Agency (EMLA).

The Emu’s Debuts blog is a place for sharing thoughts on the craft of writing and illustrating, being debuts, and most importantly, helping launch our books into the world. I have since fledged, but it was so helpful, reassuring and fun to be a part of this community of very talented, kind and generous people. Check out the current flock of Emus.



4. Tara Lazar:

Picture book author extraordinaire, and founder of PiBoIdMo (picture book idea month), Tara has also been a generous supporter, not just of me, but for all the pre and published picture book authors and illustrators out there. Thousands of writers participate and are inspired by guest posts during PiBoIdMo, November’s picture book idea challenge. She shares insights on craft, the field of publishing, new books, interviews, giveaways, etc. on her popular blog, Writing for Kids (While Raising Them), throughout the year.

When the news of the Penny & Jelly sale broke, Tara kindly offered to host me of her blog. Later, she invited to be a contributor for PiBoIdMo, and last year she also participated in my blog tour for Penny & Jelly.

5. Kirsten Cappy of Curious City:

Kirsten’s a kidlit marketing guru and owner of Curious City. She was invaluable in sorting through the mire that is promotion.

Kirsten’s clever and creative and had so many wonderful ideas for promoting Penny & Jelly in ways that would be most comfortable for an introvert like me. She designed a Jelly banner with original art from illustrator Thyra Heder for use as a photo booth so kids could “be” Penny and pose with Jelly, as well as gorgeous postcards and business cards.

I especially love the talent show kit for library and classroom use that Kirsten designed. Please feel free to share and use it.

As a picture book writer, you have succeeded in a particularly tough market. What advice do you have for others, hoping to do the same?

1. Write What You Love:

Write what you’re obsessed with. This will help you not only endure the inevitable rejections along the way, but also the winding road of revision.

My debut nonfiction book, Coyote Moon, was released this July. It initially began as an article on suburban coyotes for "Highlights."

Well, "Highlights" rejected it, but I wasn’t ready to let go of my manuscript.

The coyotes kept howling in my head, so it morphed into a poetic picture book.

Several revisions later, it won a Letter of Commendation for a Barbara Karlin grant from SCBWI; many more revisions later, it was acquired by Emily Feinberg at Roaring Brook Press. And I am so in love Bagram Ibatoulline’s illustrations. They are absolutely stunning!

2. Read. Read. Read:

Then read some more. I once read that before attempting to write one picture book, we should first read 1,000. But don’t just read them, see them as teachers, as mentor texts for your own work.

One of the most helpful exercises is to hand-write or type the words of my favorite picture book texts, to feel the rhythm of the and pulse of the story in my fingers, to get under the story’s skin—see its bones or structure and the way the muscles and sinews, rhythm, refrain and repetition, are bound together. Doing this helps us find a story’s heart, its elusive soul and helps us understand our own work.

Consider joining founder Carrie Charley Brown’s ReFoReMo, where picture books are studied as mentor texts. Get ready to dig deep!


3. Don’t Give Up!

Persevere! Keep swimming! Rejection is at the heart of this journey and it’s not usually a linear journey, it’s more circuitous, with ups and downs along the way.

Take it one day, one moment at a time, and celebrate all of your successes, both big and small.

And remember, keep improving your craft, and building your connections, you will get there!

(See #1 again)

4. Play and Experiment:

To find your writing voice, play with different points of view. Change genres. Try out different structural techniques like letters, or a diary format or lists, like I did with Penny & Jelly.

Think about the shape of your story. Is it circular? Could it be a journey? Would a question and answer format enhance it? Does it have a refrain?

I’m not an illustrator, but you can do the same kinds of things to find your visual voice—switch sketching for sewing, or painting for clay. And most of all, embrace your inner kid and have fun!

5. Reach Out:

Connect with your local and online writing community—there are so many valuable resources out there. You’re reading Cynsations, so that’s a great start! If you haven’t already joined SCBWI and found a critique group, that’s a must. As I mentioned above, join Tara Lazar’s PiBoIdMo challenge in November, or Paula Yoo’s NaPiBoWriWee to write a picture book a day, which takes place in May.

There’s a plethora of writing groups on Facebook. One I highly recommend is Kidlit411, co-run by Elaine Kieley Kearns and Sylvia Liu. It’s such a wealth of information for authors and illustrators on writing/illustrating craft, on promotion, on submissions for agents and editors, revision—all kinds of things. And to borrow Jane Yolen’s title, above all, Take Joy!

Cynsational Giveaway


Enter to win an author-signed copy of Penny & Jelly: The School Show and Penny & Jelly: Slumber Under the Stars. Eligibility: U.S. only. From the promotional copy:

This young and funny picture book introduces the soon-to-be star of her school talent show: Penny. Despite her desire to knock everyone's socks off, Penny's having a tough time deciding on what talent she might have. With a little help from her dog, Jelly, Penny tries out various talents—from dancing to unicycling, fashion designing to snake charming—with disastrous results. That is, until she realizes that she and Jelly have a talent to share that's unlike any other.

a Rafflecopter giveaway

Sunday, September 25, 2016

Author Rita Williams-Garcia & The Surely Do Dancers

By Cynthia Leitich Smith
for Cynsations

CSK Author Award Acceptance Speech by Rita Williams-Garcia from The Horn Book. Peek:
"...upon occasion, our histories are bound by peace and wonder as people of the planet Earth, looking up as we did on one night in the summer of 1969.
"In spite of some current rhetoric, very few of us on this soil can claim a separate and sole history. We are a joined people. Let’s keep looking up."

Saturday, September 24, 2016

In Memory: Lois Duncan

By Cynthia Leitich Smith
for Cynsations

Author Lois Duncan died in June while Cynsations was on summer hiatus.

Lois Duncan Obituary: Bestselling author of fiction for young adults, including the thriller I Know What You Did Last Summer by Julia Eccleshare from The Guardian. Peek: "She was born Lois Duncan Steinmetz in Philadelphia, and grew up in Sarasota, Florida. Lois wanted to be a writer from childhood, and submitted her first typed manuscript to Ladies’ Home Journal when she was 10."

Obituary: Lois Duncan by Shannon Maughan from Publishers Weekly. Peek: "After attending Duke University for a year... She entered her YA project Debutante Hill in Dodd, Mead & Company’s Seventeenth Summer Literary Contest and earned the grand prize: $1000 and a book contract."

Lois Duncan, 82, Dies; Author Knew What You Did Last Summer by Daniel E. Slotnik from The New York Times. Peek: "Though her books had their share of violence, Ms. Duncan said she was 'utterly horrified' when she saw the [1997] film adaptation of “I Know What You Did Last Summer,” which...turned her novel, about a group of teenagers desperately trying to conceal an accidental killing, into a horror tale in which the same teenagers are systematically dispatched by their hook-wielding victim." Note: To clarify, I heard Lois speak about this at an SCBWI conference. It wasn't the violence per se but rather the way it was trivialized for cheap thrills. Her novel had a strong moral center that was absent from its film adaptation.

I Know What I Read That Summer by Carmen Maria Machado from The New Yorker. Peek: "Her prose is unfussy and clean. She centered her books on young women, and her writing considers themes that have come to obsess me as an adult: gendered violence, psychological manipulation, the vulnerability of outsiders."

Friday, September 23, 2016

Cynsational News & Resources

By Cynthia Leitich Smith
for Cynsations

Author Interview: Guadalupe García McCall: Remembering What Has Endured, What Has Been Lost by Justin Barisich from BookPage. Peek: "It takes a lot of courage to let the world see your heart, to lay it down on the ground in front of the enemy and say, 'This is it. This who I am. This is what I’ve got,' and that is what Dulceña does."

How to Find and Reach Influencers to Help Promote Your Work by Angela Ackerman from Jane Friedman. Peek: "Because if you truly appreciate what they do, you will naturally want to help them further succeed. And while of course you hope they’ll return the favor, that’s not your endgame. Creating a relationship is."

Seven Surprising Facts About Creativity, According to Science by John Paul Titlow from Fast Company. Peek: "In the face of a major loss, our brains often explore new creative outlets as part of the 'rebuilding' process of our lives, especially as our perspectives, priorities, and ways of thinking about things shift around. " Note: the observation about teachers at the end of the post does not apply to me.

Ten Tips for Video-Chat School Visits from Christine Kohler. Peek: "Although my stress-level skyrocketed that morning when my PC’s operating system corrupted, I thought other authors might benefit by what I did in pre-planning to ensure 'the show must go on,' and on schedule."

Children's Literature as a Vehicle for Peace by Summer Edward from Medium. Peek: "Is social justice an elite weapon to be wielded in the hands of a few acclaimed activists or is it a human imperative to which each individual is called?"

Series Beginnings by Mary Kole from Kidlit.com. Peek: "By providing this context but weaving it into the first few chapters of the story, you will be welcoming your existing readers back into the story while simultaneously giving new readers a chance to catch up. All without info-dumping."

Interview: Dean Gloster on Dessert First by Adi Rule from VCFA Launchpad. Peek: "...with all the intensity of residency, my constantly emailing documents to myself to print out in the library, and my mostly using my VCFA email address, I actually missed the message from the editor saying they were buying my book...."

No One Gets a Pass When It Comes to Writing Multicultural Books from Grace Lin. Peek: "I get a fair amount of flack for portraying light-skinned Asians or Asians in the stereotypical haircut of heavy bangs."

What I Leaned About Publishing an #OwnVoices Book with a Latinx Heroine by Valerie Tejeda from Bustle. Peek: "I've learned a lot about what it means to be an #OwnVoices author — the good, the bad, the ugly — but here are a few things that have stuck out to me the most..."

Four Ways "Stranger Things" Gets Middle Grade Right by Mary E. Cronin from Project Mayhem. Peek: "Kids are the stars of this show, and middle grade writers can draw much inspiration from it. Here are four ways that the creators of 'Stranger Things' totally nail middle grade...."

Give Your Characters Roots by Dave King from Writer Unboxed. Peek: "Growing up in Mordor gives you a very different outlook on life than growing up in New England."

What's In a (Character's) Name? by Olga Kuno from Becca Puglisi from Writers Helping Writers. Peek: "Coming up with just the right name can be daunting. I’d like to share some ideas on how to simplify the process."

Winnie The Pooh Makes Friends with a Penguin to Mark Anniversary by Alison Flood from The Guardian. Peek: "Sibley, who was asked to write a new Pooh story to mark this year’s anniversary, said that the photo of the author and his son with the penguin toy came to mind while he was 'pondering what other toys Christopher Robin might have owned but which were never written about'."

Native American Contemporary YA Novel
We Are Still Here: An Interview with Debbie Reese from NCTE. Peek: "I wish that teachers would do all they could to push against that monolithic 'primitive' and 'uncivilized' depiction that is so pervasive and damaging to our youth, but all youth, too, who play and learn alongside our children."

Why I Write About the Immigrant Experience by Reyna Grande from CBC Diversity. Peek: "I read and I read, though I’d always felt a void—a yearning, a missing piece that I desperately wanted to find. What I wanted most of all: to not feel invisible."

How to Write a Latinx Character & Other Questions by Yamile Saied Méndez from The Che Boricuas= A Puerto Rican + An Argentine + 5 cute kids. Peek: "...this list isn't all inclusive. I just wanted to show all the aspects in which culture affects a person. The ways in which it will affect your character. The reader will notice if the only thing the writer did was slap a Spanish-sounding name and dark skin on a character."

Black Girl Magic: Black Girlhood, Imaginations and Activism by Dhonielle Clayton from We Need Diverse Books. Peek: "I hope a new generation of black girls can cling tight to the novels of the ladies below and start to find themselves in interesting and dynamic new media. I know that if I had had even a few of these books and role models, the teenage me wouldn’t have felt so invisible."

Share Your Voice by Dan Blank from Writer Unboxed. Peek: "A voice without action, is silence. In that silence is the potential where you could be connecting with people who will be moved by your stories."

Cynsational Awards

The 2016 Kirkus Prize Finalists: "Winners in the three categories will receive $50,000 each, making the Kirkus Prize one of the richest annual literary awards in the world."

Little, Brown Launches New Award for Illustrators by Sally Lodge from Publishers Weekly. Peek: "Caldecott Medalist and five-time Caldecott Honor artist Jerry Pinkney will act as a judge and the inaugural artist mentor for the first annual Little, Brown Emerging Artist Award, recognizing new illustration talent and encouraging the development of high-quality picture books that resonate with readers of diverse backgrounds."

Ann Bausum
Children's Book Author Ann Bausum Wins 2017 Nonfiction Award from the Children's Book Guild of Washington, D.C. Peek: "In recognition of her 14 nonfiction books and the way her work has enriched the minds of our children and the life of our nation, Bausum has been selected to receive the 2017 Children's Book Guild Nonfiction Award. The award is presented annually to an author for a body of work that has contributed significantly to the quality of nonfiction for children."

Congratulations to Don Tate, recipient of the Illumine Award for children's literature from the Austin Public Library Friends Foundation!

Reminder: The deadline for the Lee & Low New Voices Award is Sept. 30.

This Week at Cynsations



More Personally

My heart is heavy this week, Cynsational readers. I was saddened to hear of the death of Dr. Ernie Bond of Salisbury University. He was a tremendous educator, and I am grateful to him for his support of inclusive children's-YA literature. Moreover, the eighteen-year-old daughter of a high school friend and classmate has taken her own life "after a long battle with PTSD, depression and anxiety." Please continue to support teachers, support teens and consider donating to the Lane Marrs Memorial Fund.

The Link of the Week: Perceptions of Diversity in Book Reviews by Malinda Lo from Diversity in YA. Peek: "...it is basically common knowledge among minority authors that including more than one minority identity in a book is a huge risk for your career. In the real world, plenty of individuals deal with more than one minority identity at the same time, every day." See also Kick off Bisexual Awareness Week with 12 2016 YA Books by Dahlia Adler from Barnes & Noble.

Personal Links

Thursday, September 22, 2016

Guest Post: E.M. Kokie on Hands-On Research & Getting Out of Your Character's Way

By E.M. Kokie
for Cynthia Leitich Smith's Cynsations

From the flap copy of Radical by E.M. Kokie (Candlewick, 2016):

Preppers. Survivalists. Bex prefers to think of herself as a realist who plans to survive, but regardless of labels, they’re all sure of the same thing: a crisis is coming. 

And when it does, Bex will be ready. She’s planned exactly what to pack, she knows how to handle a gun, and she’ll drag her family to safety by force if necessary. 

When her older brother discovers Clearview, a group that takes survival just as seriously as she does, Bex is intrigued. While outsiders might think they’re a delusional doomsday group, she knows there’s nothing crazy about being prepared. But Bex isn’t prepared for Lucy, who is soft and beautiful and hates guns. 

As her brother’s involvement with some of the members of Clearview grows increasingly alarming and all the pieces of Bex’s life become more difficult to juggle, Bex has to figure out where her loyalties really lie. In a gripping new novel, E. M. Kokie questions our assumptions about family, trust, and what it really takes to survive.

Determined to survive the crisis she’s sure is imminent, Bex is at a loss when her world collapses in the one way she hasn’t planned for.

Before writing Radical, I had never touched a gun. I had never wanted to touch a gun.

But in the early drafts I was struggling to get to the heart of my main character Bex. Then I realized I hadn't really thought about how Bex would feel about guns. It was a blind spot caused by my own discomfort with guns. Once I had that realization I could see all the ways I didn't yet know Bex.

Bex wouldn't just shoot or possess guns. She would have spent most of her life shooting them. They would be part of her family tradition, part of her social life, and part of her identity. She would love her guns. She would be proficient. She would be responsible in their care and maintenance.

In order to understand Bex, and to write her with any kind of accuracy and credibility, I needed to understand guns.

I started with online and print research -- reading about different kinds of guns, popular makes and models, shooting ranges and training programs, and eventually gun laws and the tradition of gun ownership within families and communities.

Then I moved on to watching online videos about everything from training techniques and amateur shooting videos, to videos about comparing models, and cleaning and maintaining firearms. I was fascinated by the many videos of girls and women shooting guns, and handling knives, bows and arrows, and other weapons.

But reading and video research could only take me so far. I needed to understand the tactile and visceral details of how a gun felt in my hand, the heft, and texture, and kickback. The tang in the air after shooting. The smell and feel of cleaning different models. I needed to have a vocabulary and understanding that gave her character depth and provided context for the plot.

But I also needed to get inside of how she would feel, physically and emotionally, about her guns and while she was shooting.

For Bex, shooting guns would be about more than fun or competition or even defense. It is part of who she is.

I was lucky to connect with some people who let me shoot their guns on their property, in an outdoor setting with a dirt berm and a pond, much as I pictured Bex and her brother shooting in their woods.

We started with a small, light gun that even felt small in my hand, and then worked up to larger and more powerful firearms. Then I got a crash course in cleaning and maintenance, sitting on the side of a porch, much as Bex does in the book.

I left with all these sensory details, insights into how shooting could be fun and cause a sense of competition or accomplishment, and bruises in several places.

Even the ride out to the shooting site on a homemade cart attached to an ATV unexpectedly informed the setting and context for my story.

During the writing process, I also reached out to some firearms experts online to answer questions and to seek input for crafting certain plot elements and scenes. And once Radical was in the last stages of the editorial phase, my publisher hired one of those experts to perform a content read to make sure we got the details right.

The research didn't change my mind about my own potential gun ownership, or how I would feel about having a gun in my home. But it did help me better understand Bex and her world, and, hopefully, helped me craft more organic and believable characters and scenes.



Wednesday, September 21, 2016

Guest Post: Roxie Munro on KidLit TV

Roxie Munro & Julie Gribble shooting Ready Set Draw!
By Roxie Munro
for Cynthia Leitich Smith's Cynsations

In August of 2014, I traveled from my Long Island City studio to downtown New York City, lugging KIWiStorybook frames and rolled-up giant walk-in picture books, about to be the first author interviewed for the media start-up, KidLit TV.

The film crew, lighting technician, makeup artist, sound engineer, and Julie Gribble, founder, and interviewer Rocco Staino, of School Library Journal and the Huffington Post, were ready.

Four hours later we had a wrap, edited into a lively eight-minute piece, which aired that November, launching one of the most original concepts in the world of children’s literature in years.

That popular interview feature of KidLit TV is called StoryMakers. Every month, Rocco chats with several prominent authors and/or illustrators, like Paul O. Zelinsky, Pat Cummings, Hervé Tullet, Sophie Blackall, Tim Federle, Mo Willems, Rosemary Wells, and Aaron Becker. We get a peek into their creative process - making mistakes (and fixing them!), creative tricks and habits, childhood inspiration, and exciting news about upcoming projects.

Although most of the content is accessible to any literate person, there can be a lot of fun esoterica. For example, librarians may talk about how award committees work or recommend seasonal books; for the 2015 StoryMakers Holiday Special, Maria Russo (New York Times), John Sellers (Publishers Weekly), and John Schumacher (Scholastic) discussed their favorites with Rocco. Other children’s literature movers and shakers are featured, like Lin Oliver and Stephen Mooser, talking about founding SCBWI, and Judy Blume and Neil Gaiman discussing censorship.

Jerilyn Williams of TLA interviewed by Rocco Staino
Aimed specifically at children is the Read Out Loud show where authors engage kids with lively readings from their books. On Ready Set Draw!, illustrators inspire viewers to do art and show details on how to draw characters from their books. Dan Yaccarino taught kids how to make Doug from “Doug Unplugged”; Nick Bruel drew Bad Kitty; I showed children how to draw the owl from “Hatch!” and how to make a maze.

Children send in their own drawings based on the videos, and KidLit TV posts them online in their new Fan Art Gallery section, using #ReadySetDraw to share fan art.

KidLit Radio is launching podcasts for children, filling an important niche. Radio is as popular as ever, and podcasts are gaining ground. Audio is an important medium – many children learn, and are entertained, by listening. Recently Barbara McClintock and Peg + Cat (Candlewick) creators Jennifer Oxley and Billy Aronson did podcasts.

KidLit TV also covers events under their Red Carpet feature, like the Eric Carle Awards, interviewing such luminaries as Jerry Pinkney, Roaring Brook’s Neal Porter, and Hilary Knight. The most recent Field Trip is a six-minute video of the 4th Annual 21st Century Children’s Nonfiction Conference, with uber librarian and reviewer Susannah Richards doing the interviews, including one with Steve Sheinken about his process and his next book.

Founder Julie Gribble & Dan Yacarrino
All of this content is found on the main KidLit.TV site; there’s also a robust social media presence and an extensive YouTube channel. It’s the go-to place for kid friendly videos about favorite authors and illustrators, book-based crafts and activities, and to check out content dear to the hearts of children’s literature aficionados. Not to mention how to draw a Great Horned Owl!

So how did this come about? Well, multiple Emmy-award-winner and Stony Brook Children’s Literature Fellow, Julie Gribble, who worked in the television industry for years, founded KidLit TV to create fun new ways to reinforce an appreciation of reading that children will carry with them for the rest of their lives– it’s the first online resource of its kind for kids, parents, librarians and teachers. She’s an author in her own right, with Bubblegum Princess, illustrated by Lori Hanson (NY Media Works, 2013)(based on a true story about Kate Middleton) and another picture book out soon.

Julie’s KidLit TV family of teachers, librarians, authors, illustrators, and tech folks are all deeply committed to working together to bring great books to kids.

Cynsational Notes

Roxie Munro, Julie Gribble, and Sarah Towle (Time Traveler Tours & Tales) will be doing several programs, including “Promoting your Library Community through Social Media & New Technology: Cutting-Edge Techniques,” at the Texas Library Association Conference in April 2017 in San Antonio.

In addition, Julie and Rocco Staino are doing a KidLit TV presentation. KidLit TV will cover the conference, doing author and librarian interviews, live-streaming events, and attending award presentations. Come visit Booth 2301!

And Roxie has contributed a piece to TLA’s Disaster Relief Coloring Book, which will be available at the Conference.

Tuesday, September 20, 2016

Scholastic Book Club to Offer Rain Is Not My Indian Name by Cynthia Leitich Smith

Excerpt
By Cynthia Leitich Smith
for Cynsations

Scholastic Book Club will soon be offering my debut tween novel, Rain Is Not My Indian Name, as a diversity selection through book clubs.

Rain Is Not My Indian Name (HarperCollins and Listening Library, 2001)(ages 10-up). Available as an unabridged audio download. From the promotional copy:

The next day was my fourteenth birthday, and I'd never kissed a boy -- domestic style or French. Right then, I decided to get myself a teen life.

Cassidy Rain Berghoff didn't know that the very night she decided to get a life would be the night that Galen would lose his.

It's been six months since her best friend died, and up until now Rain has succeeded in shutting herself off from the world. But when controversy arises around her aunt Georgia's Indian Camp in their mostly white Midwestern community, Rain decides to face the outside world again -- at least through the lens of her camera.

Hired by her town newspaper to photograph the campers, Rain soon finds that she has to decide how involved She wants to become in Indian Camp. Does she want to keep a professional distance from the intertribal community she belongs to? And just how willing is she to connect with the campers after her great loss?

In a voice that resonates with insight and humor, Cynthia Leitich Smith tells of heartbreak, recovery, and reclaiming one's place in the world.

Cynsational Notes

Rain Is Not My Indian Name was an Oklahoma Book Award finalist and earned Cynthia the title of 2001 Writer of the Year from Wordcraft Circle of Native Writers and Storytellers.

“Tender, funny, and full of sharp wordplay, Smith’s first novel deals with a whole host of interconnecting issues, but the center is Rain herself. What’s amazing here is Rain’s insights into her own pain, and how cleanly she uses language to contain it.”
— Kirkus Reviews

“There is a surprising amount of humor in this tender novel. It is one of the best portrayals around of kids whose heritage is mixed but still very important in their lives. It’s Rain’s story and she cannot be reduced to simple labels. A wonderful novel of a present-day teen and her ‘patch-work tribe.'”
 — School Library Journal

“…readers will feel the affection of Rain’s loose-knit family and admire the way that they, like the author with the audience, allow Rain to draw her own conclusions about who she is and what her heritage means to her.”
— Publishers Weekly

Note: the trailer--while long and old-fashioned by today's standards--was cutting edge at the time, and I still love the sweetness of it.

Monday, September 19, 2016

New Voice: Hannah West on Kingdom of Ash and Briars

By Cynthia Leitich Smith
for Cynsations

Hannah West is the first-time author of Kingdom of Ash and Briars (Holiday House, 2016). From the promotional copy:

Building on homages to Cinderella, Sleeping Beauty, Jane Austen’s Emma and the Chinese legend of Hua Mulan, Hannah West makes a spectacular and wholly original debut.

Bristal, a sixteen-year-old kitchen maid, lands in a fairy tale gone wrong when she discovers she has elicromancer magic in her blood. Elicromancers are an ancient breed of immortal people, but only two remain in Nissera after a bloody civil war. 

Bristal joins the ranks of Brack and Tamarice without knowing that one of them has a dark secret . . . Tamarice is plotting a quest to overthrow the realm’s nobility and take charge herself. 

Together, Bristal and Brack must guard the three kingdoms of Nissera against Tamarice’s black elicromancy. There are cursed princesses to protect, royal alliances to forge and fierce monsters to battle—all with the hope of preserving peace.

Could you describe both your pre-and-post contract revision process? What did you learn along the way? How did you feel at each stage? What advice do you have for other writers on the subject of revision?

Boy, am I the right person to ask about revisions. When I started querying, I was fresh out of college with no industry knowledge (I studied French) and had a manuscript so thick it could have knocked someone out, no hard cover needed.

Hannah West
After my not-yet agent, Sarah Burnes, initially showed interest, she gave me some revision advice and passed on the manuscript. I made the cuts that she suggested, and continued querying and receiving requests from other agents.

It didn't occur to me until a few months later that Sarah might actually be open to seeing the revision even though she didn't explicitly request an R&R.

I'm so glad I thought of that! We ended up signing with a plan to continue revising it pretty heavily (read: cut left and right). We did three rounds, I believe, and then I did a few more with my lovely editor after signing with Holiday House.

I think a huge amount of cutting can be a dangerous thing, as it can really throw off the pace - such a delicate thing to begin with. But I am so so pleased with the result of talented professionals putting me through the ringer. It's so worth it. The story itself is essentially the same, which goes to show you how many unnecessary words were lurking in that initial submission.

For debut authors, I would say never be too protective of the draft that you submit. It's actually really freeing to put yourself in the hands of professionals, and if you're a gifted writer, you can work in their suggestions while still retaining your voice and the aspects you love about the story.

Never react to a hard critique on the spot. Take time to think about it, and you'll usually find that you agree, or can at least envision a compromise that will improve your work.

Could you tell us about your writing community-your critique group or partner or other sources of emotional and/or professional support?

This brings me to the other Sarah in my life - the one who lives in rural Arkansas with nary a strong internet connection, eating 'coons for supper (okay, maybe the last one only applies to her church potlucks).

Having a critique partner is a wonderful thing, but having a CP-best-friend is even better. Querying and revising and waiting was a hard phase for me.

I was fresh out of college with only a part-time job, living with my parents, so I had a lot riding on getting an agent and pressing onward (who doesn't?).

In the hardest moments, Sarah was there, reading my revisions and offering encouragement even though we live in different states. (I hadn't met her yet when I submitted my abominably large manuscript, so she's off the hook).

Cynsational Notes

Hannah "lives in the Dallas area with her husband, Vince, and their rambunctious blue heeler, Robb. She proudly writes articles about sustainable living and home renovation for Modernize.com."

Sunday, September 18, 2016

Publisher Interview: CEO Nancy Traversy of Barefoot Books

By Cynthia Leitich Smith
for Cynsations

"Barefoot Books was founded in 1992 by two young moms working from home with the dream of creating beautiful books that celebrate diversity, spark curiosity and capture children’s imaginations."

There's been an ongoing conversation about diversity in children's literature. What are your thoughts on the subject?

Children's publishers, and the media industry as a whole, have a huge responsibility to create diverse, inclusive content for kids. Barefoot Books has always been committed to celebrating diversity and inclusion; but our mission, and the task of nurturing empathy in our children, has never felt more urgent than it does today.

As our culture faces what President Obama has called an "empathy deficit," it's important for us to work hard to do better by our children. All children deserve to see themselves, their families and their experiences represented in the books they read. They also need to see and understand others, in order to develop empathy, and grow into compassionate, responsible global citizens, prepared to thrive and contribute in their communities and in professional and academic spheres in the 21st century.

Our children look up to us; they're listening to our conversations, soaking in and internalizing our attitudes and beliefs about ourselves and others. It is now more important than ever for parents, educators and caregivers to share diverse and inclusive books with the children in their lives and to start conversations about empathy and compassion.

How is Barefoot Books responding in terms of diverse representation on your list?

This month, we are particularly excited to be introducing what is perhaps our most meaningful, and certainly most timely, publication to date, The Barefoot Book of Children, which empowers caregivers and educators to start important conversations with children about diversity, inclusivity and acceptance.

We worked with a team of both U.K.- and U.S.-based diversity and inclusion experts to represent a wide range of children as accurately as possible; and the result, with meticulously researched hand-painted art by award-winning illustrator David Dean, is a playful, powerful and thought-provoking celebration of both the big ideas and everyday moments that reveal our common humanity and tie us all together.

At Barefoot, we've always been passionate about celebrating diversity of all kinds in our books: it's one of our core values and central to our mission as a company.

We began nearly 25 years ago by publishing myths, legends, folk and fairy tales from all over the world.

We started to introduce children to other cultures more overtly with our "Travel the World" series by author Laurie Krebs, which includes titles like We All Went on Safari, We're Sailing to Galapagos and Up and Down the Andes, all with fascinating additional information about people, cultures, history and more.

However, we aim to celebrate more than just cultural diversity. Many of our picture books - such as Mama Panya's Pancakes and The Girl with a Brave Heart - immerse readers in the experiences of children from around the world and also foster compassion for others.

From The Animal Boogie, which has sold well over two million copies, and our other other best-selling singalongs, to The Boy Who Grew Flowers, which was written by the author for her brother who has autism, our books strive to offer positive, strong, relatable characters to children who may feel different from others.

We also strive to introduce children to other faiths and religions with books like The Wise Fool, a light-hearted introduction to Islamic culture; and The Mountains of Tibet, a gentle story from the Tibetan Buddhist tradition.

A couple of years' ago, we published My Big Barefoot Book of Wonderful Words, which depicts a multi-racial family in a contemporary urban setting - "Richard Scarry for the 21st century". We worked with Beth Cox, founder of Inclusive Minds, to ensure that we accurately represented people of all races, cultures, abilities and lifestyles.

This book is now available in bilingual Spanish/English and French/English versions.

How about diverse voices (AKA authors) and visions (illustrators)? Do you have a message for those children's book creators?

Being inclusive means relating to each other in ways that give a voice to everyone - and that means publishing books not only for all children, but by a wide range of creators!

When introducing children to cultures from around the globe, it's vitally important to ensure that they're getting an accurate perspective from the authentic voice of a local creator.

From the very beginning, we've commissioned authors and illustrators from all over the world, including Tehran-born Israeli pop star Rita Jahanforuz, author of The Girl with a Brave Heart; Lebanon-born Wafa' Tarnowska, author of The Arabian Nights; and Mexico-born Caldecott Honor-winner Yuyi Morales, illustrator of Sand Sister.

We continually strive to find contributors who can provide that authentic voice and vision; it's a core part of our editorial conversation.

How are you doing outreach to Native children and children of color?

Barefoot is unique in the publishing industry because of our emphasis, not only on creating beautiful books, but also on growing a vibrant community of people who share our core values. We sell our books to schools, libraries and independent retailers as well as through our passionate network of home-based sellers called "Ambassadors" who are united by our mission to share diverse, inclusive and inspiring books.

Many of our Ambassadors use their businesses to give back and raise funds to promote causes that are important to them. Some are involved in promoting literacy in various underserved communities whose children have historically been underrepresented in children's books, including children of color. We are so proud of the incredible work our Ambassadors are doing to advance our mission to share stories, connect families and inspire children.

Is there anything you'd like to add?

For nearly a quarter of a century, Barefoot has been creating beautiful books for children that nurture creativity and compassion, and that celebrate diversity in all its forms. Discussions about race, diversity and inclusion are happening everywhere - in homes, in our children's schools, even in their playgrounds.

Books offer an essential and accessible resource for parents and educators to kickstart crucial conversations about these important topics with our children.

Since our founding in 1992, Barefoot has put nearly 20 million books into the hands of children and we would love to make that 100 million!

We believe the time is ripe to build some real momentum and create a movement of people who want to change the conversation and start to create a more accepting, inclusive world for our children.

Find more diverse and inclusive books. Explore our free tools to help start conversations with children about diversity and inclusivity.

Related Posts Plugin for WordPress, Blogger...