Thursday, July 07, 2005

Bee-bim Bop! by Linda Sue Park, illustrated by Ho Baek Lee

Bee-bim Bop! by Linda Sue Park, illustrated by Ho Baek Lee (Clarion, 2005). An exuberant, rhyming picture book told from the perspective of a hungry young girl during her family's preparations to eat bee-bim bop (rice topped with vegetables and meat or "mix-mix rice") for dinner. Lee's illustrations are warm and add humor, especially in their depictions of the family dog. A recipe with directions for "you" (the child reader) and a grown-up are included as is an author's note that features a lovely photo of the author with her niece and nephew to whom the book is dedicated. "Hurry, family, hurry...Gotta hop hop hop...Dinner's on the table...and it's BEE-BIM BOP!" Ages 3-up.

More Thoughts on Bee-bim Bop!

The author's bio on the back flap notes that Linda Sue Park has worked as a food journalist and won cooking contests.

The illustrator's bio notes that Ho Baek Lee lives in Seoul--making this a Korean-American meets Korean crafted book, which is delightfully international and appropriate.

This picture book made me sing the words, laugh, and hungry! I'm definitely trying bee-bim bop soon!

Other Recent Picture Book Recommendations: The Good Rainbow Road/Rawa 'Kashtyaa'tsi Hiyaani by Simon J. Ortiz, illustrated by Michael Lacapa (The University of Arizona Press, 2004), Buddy: The Story Of Buddy Holly by Anne Bustard (Simon & Schuster, 2005)(link features interview with author); Hotel Deep: Light Verse From Dark Water by Kurt Cyrus (Harcourt, 2005); Searching For Oliver K. Woodman by Darcy Pattison, illustrated by Joe Cepeda (Harcourt, 2005); Looking For Uncle Louie On The Fourth Of July by Kathy Whitehead, illustrated by Pablo Torrecilla (Boyds Mills Press, 2005); Night Wonders by Jane Peddicord (Charlesbridge, 2005); Miss Lady Bird's Wildflowers: How a First Lady Changed America by Kathi Appelt, illustrated by Joy Fisher Hein (HarperCollins, 2005)(link features interview with author and illustrator); Once Upon A Cool Motorcycle Dude written and illustrated by Kevin O'Malley, illustrated by Carol Heyer, illustrated by Scott Goto (Walker, 2005); Houdini: World's Greatest Mystery Man and Escape King by Kathleen Krull, illustrated by Eric Velasquez (Walker, 2005); and It Is The Wind by Ferida Wolff, illustrated by James Ransome (HarperCollins, 2005).

Cynsational News & Links "a fully searchable website of talented authors, illustrators, storytellers, musicians and entertainers such as magicians and clowns who specialize in presentations to grades Pre-K through 12." Very new (still under construction) but beautifully designed site. Perhaps bookmark for further investigation.

BookConnector: "connects authors and publishers with people and resources that promote your manuscript. We intelligently match your book's characteristics with our large database of reviewers, review sites, book clubs, and reading venues." Note: I haven't tried this yet myself as you have to be a member, and I haven't registered. has posted its July issue. The staff is celebrating by giving away a free e-book, filled with articles from its first year. New articles focus on writing for testing companies, speaking at schools before you're published, creating a Web site before you're published, and writing poetry.

Congrats to my husband, Greg Leitich Smith. Yesterday was the official release date of his new novel, Tofu and T. rex (Little Brown, 2005) as well as the paperback edition of his debut novel, Ninjas, Piranhas, and Galileo (Little Brown, 2005).

Wednesday, July 06, 2005

Author Interview: Kerry Madden on Gentle's Holler

Gentle's Holler by Kerry Madden (Viking, 2005). From the flap copy: "The sixties may have come to other parts of North Carolina, but with Mama pregnant again, Daddy struggling to find work, and nine siblings underfoot, nobody in the holler has much time for modern-day notions. Especially not twelve-year-old Livy Two, aspiring songwriter and self-appointed guardian of little sister Gentle, whose eyes 'don't work so good yet.' Even after a doctor confirms her fears, Livy Two is determined to make the best of Gentle's situation and sets out to transform the family's scrappy dachshund into a genuine Seeing-Eye dog. But when tragedy strikes, can Livy Two continue to stay strong for her family?"

What was your inspiration for creating this book?

I grew up the daughter of a college football coach, (ten states) which meant we moved constantly to various football towns, adopted the various mascots (cyclones, wild cats, panthers), and dressed in the obligatory orange and white, blue and gold, purple and white. In high school, we moved to Knoxville, Tennessee, and while I didn't care much for Big Orange Football, I fell in love with the Smoky Mountains, the setting for Gentle's Holler.

When my dad got a job with the Detroit Lions when I was a senior in high school, I opted to stay in Tennessee. I never realized how that decade in Tennessee would inform my writing. I met my husband toward the end of college, who grew up one of 13 children, in Middle Tennessee. His uncle, Bascom Lamar Lunsford, was also a songcatcher in the mountains of North Carolina.

The spark? In 2001, when I was doing some particularly soul-killing writing ("How to Stay Healthy if you Sell Insurance") and ghostwriting for celebrity spawn, and writing a particularly mean-spirited adult novel that did not sell (big surprise). I knew that if I didn't write about something I cared about and loved, I was going to lose myself. I know this sounds dramatic, but it's the truth. I also needed to write Gentle's Holler with love...instead of being clever or mean - I'd done that - this needed to be a book written with love and joy and of course, doubt, fear, worries too...that's inescapable for me...but I let the love and joy for these mountain kids come first...and I listened to Loretta Lynn, Dolly Parton, Patsy Cline, Hank Williams, Mississippi John Hurt, George Jones, Johnny Cash, Kitty Wells, Lucinda Williams, Bascom Lamar Lunsford, Reno & Smiley... The stories of this music was a balm and salve to my psyche, and I played it when I wasn’t writing...even though it drove my kids crazy, especially the teenagers dove for volume button whenever I picked them at school, Hank Williams blasting.

What was the timeline between spark and publication, and what were the major events along the way?

2001: I began writing it in the fall of 2001, and I don't think 9/11 informed it other than I knew I needed to write something I loved. When I was writing the drudgery paying work, I had to force myself to write, but when I would switch files and write Gentle's Holler, it was like sticking my face in a field of wild flowers. I felt this sanity/serenity happen whenever I worked on Gentle's Holler.

2002: Of course, I sent it out too fast, (my worst fault which I hope I have since corrected) based on my need to sell a book. It had been a long time since Offsides was published (1996), and I was beginning to feel desperate as all my friends were landing book deals and I was so busy teaching fiction writing and raising our three kids... I think I was beginning to feel less like a writer and more like a cheerleader of other writers. So I sent out the first three chapters to an editor, who loved the voice and asked me to write the whole book. I wrote the whole book fast, and it was rejected as it should have been. It was wobbly and rushed and not much good. So I did more revisions and sent it out to more editors, racked up more rejections.

A note: The early versions were happy/sappy versions, where everything worked out...nothing too sad happened... One editor told me how corny it was, and another encouraged me to cut eight of the ten kids...but mostly I received generic rejections... I also showed this early draft to my friend, Amy Goldman Koss, a wonderful children's writer, and she said, "I like it. But we're at page 18, and I really think something should happen by now." The kids had been sitting in the garden for ages shooting the breeze doing absolutely NOTHING...

2003: After about the 10th rejection, I was driving with my son, Flannery, who was 13 at the time, and I said, "It's hopeless. Nobody wants it." He said, "I know what you need to do," to which I replied, "What do you mean, you know? you don't know..." His response? "Mom, you haven't done anything with the dad. You need to do something BIG with the dad." I said, "I don't have to have this major thing happen with the dad..." Flannery said, "Fine, don't do anything with the dad - leave it all just the way it is..." Silence. We both knew he was right...but it meant really going deep and dark into the material, and I was scared.

So I spent the winter and spring really writing it...taking my time... I refused to rush it... Biggest thing of all for me? I refused to let anyone read it. I just decided to be alone with my story for as long as it took. When it was ready, I sent it to an agent, Marianne Merola at Brandt & Hochman, who liked it, but said, "It's so depressing - the poor kids who read this - can you give them just a little hope?"

Before I had this conversation with Marianne, I also attended an SCBWI Writers Day in California and Melanie Cecka, (now an editor at Bloomsbury) looked at all of us 400 plus attendees and said, "Don't give me your manuscript, I can’t carry them all on the flight, but send it to me, and I will read it if you tell me you attended Writers' Day." So I sent her the sad version too.

Then I had the conversation with the agent, Marianne, about giving more hope to the story, so I rewrote a new version injected with some hope and sent it back her. Marianne didn't read it for a while, but then Melanie Cecka wrote me and said that she liked it, and she had read the dark version... I called Marianne (my first call to her) and said, "Viking is interested, but I have this more hopeful revision...have you read it? Are you interested? What do I tell Viking?"

Marianne said, "I'll read it this weekend...and in the meantime, tell Viking you have a new version." I wrote to Melanie and told her about the new draft, and she was thrilled because she'd been worried about how dark/sad/depressing it was she asked me to email her the new draft. Melanie loved the new draft and became my editor, and Marianne loved the new draft and become my agent...and they worked out the deal. That was in the fall of 2003, and the pub date was March 2005.

2004: I spent 2004 working on Livy Two's brother's book and doing the edits for Gentle's Holler and preparing to do my own book tour. I knew I wanted the tour to be writing workshops for kids, because I'd done a book tour with Offsides and read to the clerks in empty bookstores, and I didn't want a repeat.

Then my editor, Melanie, left Viking for Bloomsbury but she left after we’d completed the major edits, and I inherited a new editor, Catherine Frank, at Viking. It was hard to see Melanie go, but I really like Catherine, and she’s been very supportive with the sequel and the idea of a series. Although I have now finished a draft of the brother’s book, Ghost Town Days, Viking wants me to write m ore books in Livy Two’s voice, so Ghost Town Days is on hold for now, while I write Louise's Palette, about the shy sister who paints.

{Ghost Town Days is definitely YA, not middle-grade – and it’s about a fifteen-year-old Emmett Weems, Livy Two’s big brother, who has run off to work up at Ghost Town in the Sky, an amusement park built on top of Buck Mountain in Maggie Valley. He loves the superhero, Saturn Girl, wants to be a gunslinger in the Wild West Show, but gets stuck working the merry-go-round, which wounds his pride deeply. An iguana, a Cherokee Indian, graverobbers, a blacksmith, and an incorrigible uncle, (the nervous night watchman of Ghost Town who steals Emmett’s paycheck to pay his poker debts) are all part of Emmett’s story. Ghost Town Days is about Emmett becoming a man, forgiving his father, finding peace with himself. I really loved writing his story too.}

Anyway, Viking would like me to build my audience with younger girls before I tell Emmett’s story.

And finally in 2004, Rosemary Wells and Betsy Byars, my writing heroes from childhood and whose books my own children were raised on, gave me jacket quotes for Gentle’s Holler…I felt enormously grateful.

2005: In February of 2005, I received an early Starred Kirkus. I was shocked...I didn't even know there were Starred Reviews...Then it received a Starred PW…Then I went on the book tour to the setting of the book, Maggie Valley, North Carolina, to do writing workshops with the mountain kids.

The Mayor of Maggie Valley (population 900) gave me a key to the city and declared April 19, GENTLE’S HOLLER DAY.

I felt so lucky to meet so many people who wanted to tell me their stories about growing up in the mountains.

What were the challenges (literary, research, psychological, logistical) in bringing it to life?

What a question...a great question. I'll really show my ignorance now, but I didn't realize there was a difference between YA and middle grade novels when I wrote Gentle's Holler. I just thought I was writing YA but I've since learned that Gentle's Holler is more middle-grade, because Livy Two is twelve even though her older brother is definitely experiencing my "YA" problems. I also didn't know it was historical fiction because of the 1962 setting. I just wanted to write a story about kid who dreams of adventures from her mountain home and worries about her sister's eyes. I had a disturbing fascination with Helen Keller when I was a kid, which is how I came to create Gentle, the blind child in my novel.

LITERARY: I didn't grow up in a mountain holler, so I had this fear that I what I wrote wouldn't ring true.

RESEARCH: My three kids were great inspirations for some of the characters. Our youngest, age six, Norah, is like a fairy child, and she asks me questions like "Is it tomorrow yet?" and walks around in feathery masks and wants to go on fairy hunts. I found myself thinking of her when I wrote Caroline. She makes her big sister draw her pictures of fairies and princesses for her to color, and she’s constantly dressing up our poor dogs in various frocks. Our daughter, Lucy, 14, loves adventure, (she’s going to Turkey in a few days to stay with family for a month) but she loves also loves to paint, so she is like Louise and Livy Two. Our son, Flannery, 16, is a really happy, dreamy kid who just eats up life and Dodger baseball...and he loves books, so he was such a helpful editor...and I also see bits of him in Emmett, but he doesn't have Emmett's sadness. He loves to write songs at the piano…his latest is called “Ossified Lady.”

We have an incorrigible basset-coon hound that has eaten chickens and applesauce cakes right off the table, so he helped inspire Uncle Hazard. So did our dachshund who is very sly and hates to get wet...I used to bribe Norah with more Uncle Hazard stories if she would just stay in her carseat...then he become part of Gentle's Holler.

My husband, Kiffen, however, was my greatest source...he grew up on a farm in Tennessee, so I could ask him questions about the garden, the seed catalog, and he loves Astronomy, so I asked him about the Pleidies and other star patterns... His mom had babies in the 1940s, 50s, 60s, and 70s, and I was just fascinated by the sheer magnitude of his family. I grew up drawing pictures of giant families, and then I met Kiffen who came from one, and somehow both fed Gentle's Holler...His older sister, Tomi Lunsford, is a musician, and I sent her the lyrics from the book, and she adapted them into music... Mama's Biscuits, Daddy's Roasted Peanuts, Grandma's Glass Eye, A Ring of Seven Sisters, and others... I thought of her when I was first writing Livy Two.

More research? I listened to mountain and country music from the 50's and 60s...I watched "Coal Miner's Daughter" and read The Dollmaker... I went to the mountains a lot when I lived in Tennessee...and always being the new kid, I learned fast to pick up the different accents, so I wouldn't feel like such an outsider... I was very shy as a kid, and this made me a good listener...

PSYCHOLOGICAL: Money, three kids, finding time to write... My husband teaches 4th grade, and raising three kids in Los Angeles on a teacher's and writer's salary is always a bit of a finance dance... I had this fear of the length between books... What if I did just have one novel in me that would see the light of day? I did write Writing Smarts for American Girl Library that was published in 2002, but that's a how-to book, not a novel... (Except Writing Smarts is my first book to give me royalties, and that’s pure relief.)

My novel, Offsides, came out in 1996 to glowing reviews, potential movie deals with Diane Keaton etc...and then it went out of print. My next book, Hop The Pond, was was called too YA by the adult publishers and too adult by the YA publishers. My next book, The Gallery, was just bad...and my agent dropped me...

I was teaching more and more - sometimes 30-35 students in various weekly workshops - and I am good teacher, but I was becoming overwhelmed with teaching so much, which meant cleaning and scrubbing the house for the writers coming over to our house...

With our schedules and kids, I feared I would never publish again... I even applied for a job in PR because we were so broke. (Thank goodness I didn't get it.) We've never even bought a house, and our son goes to college next year... But I had to find ways to let it all go and just write a book I loved... I also quit ghostwriting and doing journalism. I could handle the teaching, but I couldn't handle the ghostwriting and journalism and my own ghostwriting and journalism had to go, and I don't miss them at all!

LOGISTICAL: I couldn't get back to the mountains when I was writing Gentle's Holler, so I would go online and google wild mountain flowers blooming times. And my kids are on year-round school, so they're home for chunks of time, which slays my writing and concentration. But I also write well in chaos (or so I tell myself)...

As of late, I have become a bit of a roadie son is in a rock band, and I've been recruited to drive members of The Flypaper Cartel to various gigs, but I'm taking notes, because surely that could lead to some kind of fiction. None of the band members have driver's licenses yet, and most are still in braces.

And finally - a word on the joy? I love doing writing workshops with kids and getting them to know they are rich with stories. I had one kid in the mountains say to me, "Look, I am not a rider (writer)." I said, "What do you like to do?" and he said, "Fish!" and I said, "Write about fishing then," to which he replied, shocked, "I can ride about fishing?" I said, "You can write about anything." So he wrote this great story about how he brags when he catches a big bass…He also wrote that night-crawlers come twelve to a can, and a can costs around $1.25. He told me, “You lose a night-crawler, it’s like throwing a dime in the water.” Now many of the kids are sending me their stories to post on my live-journal.

That’s the joy…seeing the faces of the kids tell their stories. And my daughter, Lucy, an 8th grader, went with me on the book tour and did a documentary of our book tour… Anyway, I’m lucky – I’m doing what a love to do. What more can you ask for?

Visit Kerry's Live Journal.

Cynsational News & Links

All Work and Hard Play Make Author Prolific and Content by Ellyn Wexler. Focus on Elisa Carbone, author of Last Dance on Holladay Street (Knopf, 2005).

The Children's Writing Update (June 30, 2005): features Judy Blume on "writing from the heart," Barbara Seuling on "common mistakes," Laura Backes on "Creating Page-Turning Picture Books," and more.

Interview with author Mitali Perkins by Laura Atkins from Mitali is the author of Monsoon Summer (Delacorte Press, 2004) and The Not-So-Star-Spangled- Life of Sunita Sen (Little Brown, 2005).

Perspectives: Time Traveling with the Newbery Awards: 1922-2005 by Michelle F. Bayuk from CBC Magazine. See also the CBC Bimonthly Showcase: From the Ancient World.

Tuesday, July 05, 2005

An Interview With Greg Leitich Smith at

I had the pleasure of interviewing my very cute husband, author Greg Leitich Smith, for (click link and scroll to read).

Greg talks about writing companion books, alternating point of view, his diverse casts, writing comedy, and his upcoming projects. He is the author of Ninjas, Piranhas, and Galileo (Little Brown, 2003; paperback, 2005) and Tofu and T. rex (Little Brown, 2005).

The July issue of Smartwriters also includes Writers Retreats and Conferences by Margot Finke; Eureka! A New Crypto-Program for Educators by Edith Hope Fine; and two new Write It Now! competitions.

Cynsational Links

Interview with Melissa Lion, author of Upstream (Wendy Lamb, 2005), by Carolyn Juris from Read an excerpt.

Interview with Lauren Mechling and Laura Moser, co-authors of The Rise and Fall of a 10th-Grade Social Climber (Graphia/Houghton Mifflin, 2005), by Renee Kirchner from Read an excerpt.

Writing Fiction for Young People by Kerry Madden, author of Gentle's Holler (Viking, 2005) from the Tennessee Alumnus Magazine.

I'm blogging lately on spookcyn about my final novel revision, "Teen Titans," the Bram Stoker Awards, and Independence Day.

Sunday, July 03, 2005

"Dated" Language

From my recent post on the childrens-writers list serv at yahoogroups.

As a writer of "contemporary" stories, I've found it impossible not to date my books somehow.

A complete lack of current slang is often said to result in a "timeless" story, but in reading such prose, I often find myself thinking, "Wow, you can really tell a babyboomer wrote this." That distracts me and breaks me out of the magic of the fiction.

All language comes from somewhere and somewhen. It's best to avoid trendy words to the extent practical, but beyond that, you just have to be true to the voice of the character and hope for the best. I'd rather pick up a book set in the 1980s and enjoy the 80s voice than read bland "contemporary" prose.

Likewise, the technology is always changing. My novel, Rain Is Not My Indian Name (HarperCollins, 2001), was one of the first that integrated the Internet into its plot and themes. It's still reflective of current technology, but should it miraculously stay in print another ten years, I doubt that will still be true.

We can fudge here and there--and I certainly do--to stretch the timeliness (or should that be timelessness?). But specificity often translates to believability. And believability is key. If we don't believe, we don't care, and we don't keep turning the pages.

Theoretically, the best contemporary fiction should in time takes its place among the best historical fiction.

Cynsational Links

An Interview with Peter Abrahams, author of Down The Rabbit Hole (Laura Geringer/HarperCollins, 2005) from

Esther Hershenhorn debuts her official author Web site. Esther also is a first-rate speaker, writing teacher, and writing coach (if you're looking for an in-the-know critiquer, she's my number one recommendation). Esther's books include: There Goes Lowell's Party, illustrated by Jacqueline Rogers (Holiday House); Chicken Soup By Heart, illustrated by Rosanne Litzinger (Simon & Schuster); The Confe$$ion$ and $ecret$ of Howard J. Fingerhut (Holiday House); and Fancy That, illustrated by Megan Lloyd (Holiday House). Learn more about Esther!

"On The Verge" July 5 at the YA Authors Cafe with Jennifer Jacobson, author of Stained (Atheneum, 2005), and Mary E. Pearson, author of A Room On Lorelei Street (Henry Holt, 2005). Hosted by Marlene Perez, author of Unexpected Development (Roaring Brook, 2004). All chats are Tuesdays at 8:30 EST, 7:30 Central.

Saturday, July 02, 2005

ALA: Happy Birthday to Walter

The hands-down best bash at ALA/Chicago was Walter M. Mayes' AKA Walter The Giant Storyteller's birthday party in celebration of, well, himself and his new picture book, Walter the Giant Storyteller's Giant Book of Giant Stories, illustrated by Kevin O'Malley (Walker, 2005).

Complete with cake, an iced-cream bar, and a resplendent birthday boy, this was the to-be-seen-at party of the conference.

I also had the honor of enjoying the company of some of the finest of folks at more intimate yet lovely lunches, dinners, and what not, filled with sparkling conversation and wit. Here's waving to: Elisa Carbone (see my interview with Elisa), Jacqueline Davies, Carmen T. Bernier-Grand, Franny Billingsley, Carolyn Crimi, Alex Flinn, Esther Hershenhorn, Jennifer Richard Jacobson, Nancy Keane, David Lubar, Marsha Qualey, Laura Ruby, Wendie Old, Mary E. Pearson, Amy Timberlake, Nancy Werlin, Tracie Vaughn Zimmer, and Lisa Yee.

In other news, I was impressed by the Roaring Brook Press booth, which was designed around a theme inspired by one of its books. It was charming and storytelling -- a far cry from just randomly sticking the books and ARCs on the shelves and letting it go at that.

Cynsational Links

Walter Mayes: A "Giant" in YA Books from (if the precise page-link doesn't work, scroll!).

GregLS offers his ALA report, and so does our co-panelist Miss Cecil Castellucci. Who else? How about author Lisa Yee? I wasn't lucky enough to sit by her at the pizza parlor, but Greg certainly enjoyed her company.

One Author's Adventure in BEA-land by Dianne Ochiltree from Debbi Michiko Florence's Web site.

"Switching Gears to Dump a Slump" by Linda George from the Insitute of Children's Literature.

Friday, July 01, 2005

The Humor in Multicultural Literature: A Bibliography

Prepared by the EMIERT Children’s Services Committee
June 27, 2005 Chicago ALA Annual Conference

This selected bibliography represents a sample of humorous or light hearted picture books and fiction for children. Books selected for this list include multicultural and multi-racial literature. Stories with animals as main characters and folklore are not included.

Allie, Debora. The Meanest Girl. Roaring Brook, 2005.
Starting a new school year, Alyssa has a lot on her mind in this humorous story of love and friendship in sixth grade.

Alvarez, Julia. How Tia Lola Came to (Visit) Stay. Knopf, 2001.
“Ten-year-old Miguel is at first embarrassed by his colorful aunt when she comes to Vermont from the Dominican Republic.”

Banerjee, Anjali. Maya Running. Wendy Lamb Books, 2005.
“Maya, a Canadian of East Indian descent, struggles with her ethnic identity, infatuation with a classmate, and the presence of her beautiful Bengali cousin, Pinky.”

Bruchac, Joseph. Eagle Song. Dial, 1997.
“After moving from a Mohawk reservation to Brooklyn, New York, eight-year-old Danny Bigtree encounters stereotypes about his Native American heritage.”

Cameron, Ann. Gloria’s Way. Farrar, Straus and Giroux, 2000.
Julian and Huey’s friend Gloria gets the attention in these six spirited stories.

Cameron, Ann. Julian, Secret Agent. Random House, 1988.
“When Julian, his little brother Huey and their friend Gloria decide to be crime busters, they find themselves in one adventure after another.”

Carlson, Lori. Moccasin Thunder: American Indian Stories for Today. Harper, 2005.
Ten short stories about contemporary Native American teens by members of tribes of the United States and Canada.

Castellucci, Cecil. Boy Proof. Candlewick, 2005.
“Feeling alienated from everyone around her, Los Angeles high school senior Victoria Denton hides behind the identity of a favorite movie character until a new boy arrives at school and helps her realize that there is more to life than just the movies.”

Codell, Esmé Raji. Sahara Special. Hyperion, 2003.
“Struggling with school and her feelings since her father left, Sahara gets a fresh start with a new and unique teacher who supports her writing talents and the individuality of each of her classmates.”

Cohen, Miriam. Down in the Subway. Star Bright Books, 2003, 2001.
On a hot day on the subway, Oscar spies the "Island Lady," who proceeds to pull an island breeze, Caribbean foods, and even a steel drum band out of her bag to share with her fellow travelers.

Crutcher, Chris. Whale Talk. HarperCollins, 2001.
“Intellectually and athletically gifted, T.J., a multiracial, adopted teenager, shuns organized sports and the gung-ho athletes at his high school, until he agrees to form a swimming team and recruits some of the school's less popular students.”

Curtis, Christopher Paul. The Watsons Go To Birmingham—1963. Delacorte, 1995.
“The ordinary interactions and everyday routines of the Watson’s, an African- American family living in Flint, Michigan, are drastically changed after they go to visit Grandma in Alabama in the summer of 1963.”

Dhami, Narider. Bindi Babes. Delacorte, 2003.
“Three Indian-British sisters team up to marry off their traditional, nosy aunt and get her out of the house.”

Fleming, Candice. Lowji Discovers America. Atheneum, 2005.
“A nine-year-old East Indian boy tries to adjust to his new life in suburban America.”

Garfinkle, D.L. Storky: How I Lost My Nickname and Won the Girl. Putnam, 2005.
“Fourteen-year-old high school student Michael "Storky" Pomerantz's journal describes freshman year, from dealing with his mother's dating his dentist to attempting to win the heart of the girl he loves.”

Gordon, Ruth. Feathers. Maxwell Macmillan International, 1993.
When the town bath house burns down, the foolish citizens of Chelm worry about the safety of the money they must collect to build a new one.

Hartinger, Brent. Geography Club. Harper, 2003.
“A group of gay and lesbian teenagers finds mutual support when they form the ‘Geography Club’ at their high school.”

Herman, Gail. Just Like Mike. Delacorte Press, 2000.
Michael adjusts to a new school, a new town and a new name when his mother marries Mr. Jordan in this funny, lighthearted story.

Herron, Carolivia. Nappy Hair. Knopf, 1997.
“Various people at a backyard picnic offer their comments on a young girl's tightly curled, ‘nappy’ hair.”

Hoffman, Mary. Starring Grace. Phyllis Fogelman Books, 2000.
“Grace and her friends have all sorts of adventures during their summer vacation--going to the circus, taking an imaginary safari, pretending to be astronauts, calling the paramedics when her grandmother has an accident, and more.”

Jeyaveeran, Ruth. The Road to Mumbai. Houghton Mifflin, 2004.
“Shoba and her pet monkey, Fuzzy Patel, set out overnight by flying bed to attend Fuzzy's cousin's wonderful wedding in Mumbai, India.”

Korman, Gordon. Son of the Mob. Hyperion, 2002.
Seventeen-year-old Vince's life is constantly complicated by the fact that he is the son of a powerful Mafia boss, a relationship that threatens to destroy his romance with the daughter of an FBI agent.

Krishnaswami, Uma. The Happiest Tree. Illustrated by Ruth Jeyaveeran, Lee & Low, August 2005.
“Embarrassed by her clumsiness, eight-year-old Meena, an Asian Indian American girl, is reluctant to appear in the school play until she gains self-confidence by practicing yoga.”

Lee, Marie G. F is for Fabuloso. Avon, 1999.
“Seventh grader Jin-Ha finds her adjustment to life in America complicated by her mother's difficulty in learning to speak English.”

Lester, Julius. Sam and the Tigers. Dial, 1996.
“Follows the adventures of a little boy named Sam when he matches wits with several tigers that want to eat him.”

Lester, Julius. What a Truly Cool World. Scholastic, 1999.
“Discovering that making a world takes a lot of work, God calls on his secretary Bruce and the angel Shaniqua to help him create bushes, grass, flowers, and butterflies.”

Look, Lenore. Ruby Lu, Brave and True. Atheneum, 2004.
"Almost-eight-year-old" Ruby Lu spends time with her baby brother, goes to Chinese school, performs magic tricks and learns to drive, and has adventures with both old and new friends.

Namioka, Lensey. Yang the Youngest and His Terrible Ear. Joy Street, 1992.
Recently arrived in Seattle from China, musically untalented Yingtao is faced with giving a violin performance to attract new students for his father when he would rather be working on friendships and playing baseball.

Osa, Nancy. Cuba 15. Delacorte, 2003.
Violet Paz, a Chicago high school student, reluctantly prepares for her upcoming "quince," a Spanish nickname for the celebration of an Hispanic girl's fifteenth birthday.

Perkins, Mitali. The Not-So Star-Spangled Life of Sunita Sen. Little Brown, 2005.
“When her grandparents come for a visit from India to California, thirteen-year-old Sunita finds herself resenting her Indian heritage and embarrassed by the differences she feels between herself and her friend.”

Rattigan, Jama Kim. Truman's Aunt Farm. Houghton, 1994
Truman sends away for ants, but gets aunts of every size, shape and background instead.

Raschka, Chris. Yo? Yes! Orchard, 1993.
“Two lonely characters, one black and one white, meet on the street and become friends.”

Sis, Peter. A Small Tall Tale from the Far Far North. Farrar, Straus & Giroux, 1993.
This ironic tale of Jan Welzl, tells of Czech Folk hero near demise in the frozen arctic and his rescue by the native peoples.

Smith, Cynthia Leitich. Indian Shoes. Harper, 2002.
“Together with Grampa, Ray Halfmoon, a Seminole-Cherokee boy, finds creative and amusing solutions to life's challenges.”

Smith, Cynthia Leitich. Rain is Not My Indian Name. HarperCollins, 2001
“Tired of staying in seclusion since the death of her best friend, a fourteen-year-old Native American girl takes on a photographic assignment with her local newspaper to cover events at the Native American summer youth camp.”

Smith, Greg Leitich. Ninjas, Piranhas and Galileo. Little Brown, 2003.
“Honoria, Shohei, and Elias, who are "united together against That Which Is the Peshtigo School," face conflict over their budding romantic interest and a science project gone awry.”

Smith, Greg Leitich. Tofu and T .rex. Little Brown, 2005.
“Hans-Peter, who enjoys working in his family's Chicago delicatessen, applies for admission to the prestigious Peshtigo School that his cousin Freddie, a vegan and outspoken animal rights activist, attends.”

Soto, Gary. Local News. Harcourt, Brace, Jovanovich, 1993.
“A collection of thirteen short stories about the everyday lives of Mexican American young people in California's Central Valley.”

Soto, Gary. The Skirt. Dell, 1994.
“When Miata leaves on the school bus the skirt that she is to wear in a dance performance, she needs all her wits to get it back without her parents' finding out that she has lost something yet again.”

Soto, Gary. Snapshots from the Wedding. G.P. Putnam’s, 1997.
May the flower girl is biting back a smile at the behind the scene events at Isabel’s wedding.

Soto, Gary. Too Many Tamales. Penguin Putnam, 1996.
“Maria tries on her mother's wedding ring while helping make tamales for a Christmas family get-together. Panic ensues when hours later, she realizes the ring is missing.”

Spinelli, Jerry. Maniac Magee. Scholastic, 1990.
“After his parents die, Jeffrey Lionel Magee's life becomes legendary, as he accomplishes athletic and other feats which awe his contemporaries.”

Taback, Simms. Joseph Had a Little Overcoat. Viking, 1999.
A very old overcoat is recycled numerous times into a variety of garments.

Tate, Eleanora E. Don’t Split the Pole: Tales of Down-Home Folk Wisdom. Delacorte, 1997.
This collection of stories reveals the hilarious and illuminating truth behind seven popular sayings.

Taylor, Sydney. All of a Kind Family.
The popular series relates the adventures of five sisters growing up in a Jewish family in New York in the early twentieth century.

Walter, Mildred Pitts. Justin and the Best Biscuits in the World. Lothrop, 1986
Suffering in a family full of females, ten-year-old Justin feels that cleaning and keeping house are women's work until he spends time on his beloved grandfather's ranch.

Wong, Janet S. A Suitcase full of Seaweed and Other Poems. McElderry, 1996.
“A collection of poems that reflect the experiences of Asian Americans, particularly their family relationships.”

Yee, Lisa. Millicent Min: Girl Genius. Scholastic, 2003
In a series of journal entries, eleven-year-old child prodigy Millicent Min records her struggles to learn to play volleyball, tutor her enemy, deal with her grandmother's departure, and make friends over the course of a tumultuous summer.

Yep, Laurence. Later Gator. Hyperion, 1995 or The Imp that Ate My Homework. HarperCollins, 1998.
When Jim wakes up to find a green, four-armed imp eating his essay about grandpop, he knows its going to be an unusual day.

note: The list is not intended to be all-inclusive but rather to highlight. It is reproduced here with permission. I have added the links for your convenience.
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