for Cynthia Leitich Smith's Cynsations
I’m in a cozy, dark room – too warm, and scattered with noises of children’s breathing, soft wordless Beatles’ arrangements, and the burble of the turtle tank filter. It’s nap-time at the early childhood school where I work, and I’m on duty. I’m also working on a major revision for my novel in verse.
It’s an unlikely setting, this child-dense room with documentation of the children’s discoveries through paint, clay, blocks, but between two or more hours at Starbuck’s in the morning and the napping room in the afternoon, I’m making good progress on my revision.
In the not-so-quiet space I sink deeply into my character’s life, where I may hear and feel her anguish and joy without interference from any angst of my own.
For years, I struggled with finding the perfect place to write, because something seemed “off” with so many spaces. I found myself writing in short, deep spurts, but I was easily distracted.
Too quiet. Too loud.
Early on in my committed writing journey, I heard the well-known caution to “keep my head down and do the work”. And yet online and off, in informal gatherings and at conferences, the longing to be book-published was front and center. I worked hard, submitted, survived rejections with my learned resilience, and “came close” many times.
Then, about five years ago, unusually distracted and distressed by the new industry policy adapted by so many agents and editors: If you don’t hear from us, assume we’re not interested. If I don’t hear from you by when? I wondered.
The absence of waiting for responses took too great an emotional toll on my resilient self.
So one day I decided to put an end to the situation that troubled me. I challenged the assumption that I would eventually get a book contract. Maybe I wouldn’t. I said it aloud, then asked myself one of the most important questions of my life: Now what?
Now, I am a writer, I answered myself. Now, I keep writing. An emotional gust of wind that blew me away in the best of ways. The relief I felt turned into a joy about writing that opened unimagined possibilities.
Eventually I began submitting again. But I was calmer, even carefree. My queries were more casual, authentic. I had acceptances and rejections – interestingly, with more personal responses to rejections than I’d ever gotten. I was shocked and quietly pleased to find that my middle grade novel in verse was chosen a finalist for the Katherine Paterson Prize for YA and Children's Writing.
My (now) agent took notice of my book from the contest, and the revision process with her has been challenging and immensely pleasurable. I feel a calm, deep pleasure when I when I get an acceptance, an agent, write a verse I’m particularly proud of – instead of the wild excitement I felt years ago when I assumed each step was closer to “success.”
I hope my book is published one day – of course. But success is truly the journey, and how my own strengths meet the challenges of the work.
And, of course, the sweetness in the dark, not-so-quiet room with the sleeping children.
|More on Carol Coven Grannick|
She began writing for children in 1999, and her poetry and fiction have appeared in Highlights for Children, Ladybug, Cricket and Hunger Mountain. Her picture book manuscripts have won several awards, and her middle grade novel in verse manuscript, "Reeni’s Turn," was named a finalist in the 2014 Katherine Paterson Prize for YA and Children's Writing at Hunger Mountain.
Drawing from her skills and experience as a clinical social worker and consultant/educator, Carol also writes extensively about the psychological and emotional aspects of the writing journey, and the essential skills for creating and maintaining emotional resilience. Her column, “The Flourishing Writer,” is archived in the Illinois SCBWI Prairie Wind.
Carol lives with her husband in Chicagoland and treasures her family, friends, and work at an extraordinary early childhood center.