|Linda reflecting on her writing life.|
for Cynthia Leitich Smith's Cynsations
How do I write?
With deepest apologies to Elizabeth Barrett Browning and Dr. Seuss, let me count the ways:
with pencil, pen or quill,
from a picture, if you will,
on a napkin, in the dark, at the ocean, on a walk,
at a desk, from my dreams,
at a keyboard, near a stream:
the Muse attacks and I succumb, writing words one by one.
It may start anywhere, anytime without invitation. A spark leaps across one brain cell to another and I must write. I must capture the word/phrase/sentence on paper or in a text file so I can hold it hostage before this elusive gift evaporates.
During school visits, I tell my student audiences; this idea-generating stage of writing comes from something I refer to as the Cosmic Goo, a Nether-World place where ideas wait to be used.
|Cosmic Goo (it's a technical term)|
Once an idea has introduced itself, I enter the pre-writing phase, where I begin to translate images into slightly more tangible things, words. I want to see, touch, taste them; more importantly, I want to hear them.
I read all my work aloud, from rough draft to finished products, particularly important for picture book or poems. By doing this, I can test their word rhythms. I want to pair every idea with its perfect word mate; doubly important if the draft insists upon being rhymed.
Rhymed or in prose, rhythm is key. If I can't hear the intrinsic word melodies that rhythm produces then neither will my readers.
A stop in word rhythm will slow or stop the reader's flow, and potentially keep them from reading more.
For revising and editing most of my manuscripts, I proceed in two ways: I work a piece to the ground or I abandon it...for a night, a week, a year, or even completely. Separation has definite advantages.
Often, I will go to sleep ruminating on an irksome line, paragraph or scene and awake with its solution, or at least with the way to proceed. In contrast, a longer incubation period allows me to discover that not all pieces deserve to survive. I have learned to use the delete key.
|Grandchildren (at a younger age) featured with blessings.|
Good revision is much like good parenting: it starts from your heart.
You invest time in the improvement of your words or art; you encourage and nudge them to shine to become their best; last, you send them on their way and step back.
Will the words and illustrations you love ring true in the Big World?
Will your hard work pay off?
Like adult kids on their own, books mutate from your plans. A few make the New York Times Best Sellers List. Many speak to the hearts of librarians and teachers.
If you are lucky, truly lucky, your book will touch the one child it needed to help, the one who will fall asleep with your work tucked in her or his arms.
That's the beauty and importance of writing and illustrating books for children.
“I write. I teach. I color in or outside the lines. I spoil kids and grandkids....
"Poetry gives voice to our silent songs."
Author/illustrator/storyteller/recovering-teacher/poet, Linda Boyden has written six and illustrated five picture books:
- The Blue Roses, illustrated by Amy Córdova (Lee & Low, 2002);
- Powwow’s Coming (University of New Mexico Press, 2007);
- Giveaways: An ABC Book of Loanwords from the Americas (University of New Mexico Press, 2010);
- Boy and Poi Poi Puppy (Progressive Rising Phoenix Press, 2013);
- Roxy Reindeer (Progressive Rising Phoenix Press, 2014); and Boy and Poi Poi Puppy in Doggone! (Progressive Rising Phoenix Press, 2016).